Responsibilities include handling calls, travel planning, scheduling, research, creating visual decks, personal & business errands, and general office management.
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Responsibilities include handling calls, travel planning, scheduling, research, creating visual decks, personal & business errands, and general office management.
We’re looking for someone with proven creative instincts in selecting, developing, producing, and greenlighting projects, coupled with strong interpersonal skills and established industry relationships.
Review scripts, treatments, and other creative materials, providing detailed and actionable feedback. Write and develop pitches, concept decks, and creative briefs to secure leadership approval for projects.
Responsible for phones and scheduling meetings for the show leadership and crew, preparing and executing expense reports and show credits, partnering with the script department and story editor, and organizing crew events, as well as purchasing snacks and supplies.
Read scripts and review other material. Assist with departmental projects and events.
Review and provide feedback on screenplays, books, and other intellectual property under consideration for adaptation. Assist in the development of pitch decks, presentation materials, and other creative resources for projects in various stages of production.
Developing day-to-day schedule and prioritization of activities, proactively identifying and resolving scheduling conflicts. Proactively drive team activities such as staff meeting agendas and All-Hands meetings.
Assisting a small team of Creative Executives, including diary management, scheduling external meetings, expenses and coordinating travel. Tracking development projects, including key submissions and creative updates on projects.
Experience setting up large complex shoots, including securing locations, businesses, experts, and props.
Have a track record leading a large team both in the office and on location and experienced dealing with contributors.
Builds strong partnerships locally, regionally and globally to advocate for the needs of the DACH/Nordics/Benelux markets while seeking broader understanding and best practices.
Story Kitchen is looking for a writer to develop VAMPIRE SURVIVORS.
Peacock & Universal Content Productions are looking for a writer to develop BEFORE I LET GO.
Create appropriate development, pre-production, production and post schedules and budgets with partner Studios, Netflix cross-functional teams and creators to suit the needs of the show.
Work with writers to develop story and scripts to help transition each podcast to TV series. Develop innovative story approaches and thematic arcs to help transition podcasts into TV/Film.
Identify, curate and evaluate appropriate Content for exploitation across Theatrical and home media platforms.
Majestic Productions sets deal with PROJECT ABADDON: RISE OF THE DESTROYER by Pete Borreggine and Gary Hauger. A scrappy star ship crew must locate and destroy an ancient alien artifact
The team will develop projects from inception of idea to series by hearing pitches, reading spec scripts, identifying available IP, crafting and delivering notes to executive producers, and communicating creative direction between network and studios and production companies.
Bright One Management is out with COPPERHEAD CONNECTION by Greg Beck. A local marijuana grower finds himself battling his past in a small rural town.
Hollywood’s premier source for spec tracking, industry jobs, Film & TV literary deals, and analysis of the Spec Market. We are home to the most robust spec script tracking and development & literary deals news.
The Tracking Board: Tracking Hollywood so you don’t have to.
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