Ryan Saul

Logline: A former arson investigator, now ex-convict, has a shot at redemption when he catches wind of a bomb plot set to go off somewhere in Los Angeles.

Logline: A female INS agent, whose job it is to determine whether marriages are staged or real, runs into trouble when she falls in love with someone she investigates.

Logline: Pitched as “Men In Black” meets “Midnight Run” and “48 Hours,” when a tough cop recruits a geeky sci-fi author to help him track down a mysterious murder witness, they find themselves in the middle of a space opera playing out here on Earth.

Logline: R-rated comedy in the vein of STRIPES, set in the Border Patrol. Two down and out dudes from San Diego try to change their lives, become heroes, and get laid by joining the border patrol.

Logline: Pitched as “Tangled” meets “Princess Bride”, the story tells the tale of Rose Red – Snow White’s tomboy sister, who though having a strained relationship with her sister, was responsible for getting her Prince to kiss Snow White and save her life.

Logline: Pitched as a horror film in the vein of “Shaun of the Dead” that takes place in a nursing home.

Logline: Two geeky girls in their senior year of high school are taken under the wing of their awkward gym teacher, on a mission to create the ultimate male companion to help them out of their geekdom… with one catch: don’t fall in love with the Boy Toy.

Logline: Being pitched as an action adventure in the vein of “Twister” meets “Predator” about a team of storm chasers who find themselves caught in the face of a category 5 tornado, and the real horrors of what’s inside of it.

Logline: Pitched as a POV film about what happens to a group of 3 Oregon high school students after a mysterious “incident” gives them super powers, and changes their lives forever.

Logline: R-rated comedy in the vein of The Hangover, where after a night of partying the main character finds himself stuck in Mexico with no ID, no passport and no money.

Logline: A group of hardcore juvenile delinquents set to be tried as adults are granted one last chance at redemption – a brutal wilderness survival program where they encounter something far more horrifying than the mean streets they left behind.

Logline: A contained thriller told through first person POV. A single camera held by a police officer while videotaping a horrendous crime scene, then discovers a video left by the killer, which was made with hidden cameras planted throughout the house they are investigating. As the begins to unravel and bounces back and forth between the lunatic’s homage to his own madness, and the POV of the investigation, the lines blur until the police become a part of the killer’s film.