pitching

Handle high-volume rolling calls and maintain call logs. Provide script coverage and assist with client submissions and pitching. Coordinate casting appointments and liaise with agents, casting directors, and production teams.

Manage administrative duties including handling heavy phones and emails, client calendar management, booking reports, preparing expense reports, updating contracts and general office management tasks.

Retrieve relevant archival footage from the extensive ABC News library to support current news stories and enhance their context. Conduct thorough fact-checking and verification of information presented in news stories to ensure accuracy and credibility.

Heavy amount of reading and writing coverage for both production consideration as well as samples for consideration on current projects.

Responsibilities include coordinating meetings, schedules, & calendars for Sales executives, script coverage, pitching avails to distributors, and entering & maintaining databases, and attending Film markets.

Responsible with scheduling, processing invoices and expense reports, managing travel, ordering both production and department supplies, facility requests, onboarding new hires and temps, and interfacing with other departments on the behalf of the co-heads.

Manage administrative duties including handling heavy phones and emails, client calendar management, booking reports, preparing expense reports, updating contracts and general office management tasks.

The Production Assistant cuts soundbites and VOs, helps producers gather elements for in-house packages, and orders and creates graphics.

Identifying and developing new Documentary ideas and projects. Securing access to articles, stories, characters or ideas.

This position would entail a heavy amount of reading and writing coverage for both production consideration as well as samples for consideration on current projects.

Work with the Director and Writer in story development to brainstorm and foster story concepts from the outline or script to be assigned to storyboard artists.

Daily responsibilities include rolling calls, sending appointments, pitching clients, reviewing and submitting self-tapes, scheduling, and coordinating client travel.

Create a slate of Films across genres while growing MVE’s buyer relationship both in the US and abroad. Bring and build connections with the creative community to further grow MVE’s slate of Film and expand its roster of writers and directors.

Work with writers to develop story and scripts to help transition each podcast to TV series. Develop innovative story approaches and thematic arcs to help transition podcasts into TV/Film.

The producer will be responsible for pitching story ideas, booking guests, writing scripts, and editing.

Learn the skills necessary for a career in development, including script coverage/analysis, giving notes, pitching projects, etc.

Learn the ins and outs of development, from writing coverage on scripts, books, and articles, to joining development meetings, creating grids and more.

Apart from analyzing scripts, you will also help with various research projects, reviewing our IP library, compiling industry data, and learning what it means to work in the industry.

The ideal candidate will have a wide range of experience developing, pitching, overseeing projects and sales materials.

Responsibilities include rolling calls, sending auditions, pitching clients, coordinating travel, and maintaining busy client schedules.

This role will be responsible for evaluating, developing, pitching and selling projects based on internal IP as well as external projects.

Learn the skills necessary for a career in development, including script coverage/analysis, giving notes, pitching projects, etc.

Ideal candidate understands the development-to-series pipeline in non-scripted Television and has a comprehensive understanding of market trends.

This role will be primarily focused on representing an existing roster of talent and requires a firm understanding of the workings of the entertainment industry.

Key responsibilities include managing slate of projects, seeking out new projects in both Television and Film; working with talent to develop projects and searching out & developing relationships with new talent.

Applicants should have a well-developed knowledge of and experience tracking writers, directors and talent.

Network and studio coverage – speaking directly to executives to gather information on open writing, directing, staffing jobs and pitching clients for them.

Candidates must have robust interest in reading and books—and candidates must be comfortable summarizing and pitching IP.

Duties will include pitching an existing roster of talent to executives, network and studio coverage, and new client research and development.

Note-taking, pitching in story meetings and identifying new material for scripted TV development.