Responsibilities include managing schedules, rolling calls, overseeing submissions, analyzing screenplays, films, and books, maintaining director/writer/actor lists, and handling general office duties.
Films
Source, track, and evaluate commercial film script packages, footage, and completed films for theatrical release potential that maximize our distribution.
Initiating ideas for films and developing creative treatments across a wide range of subjects both domestic and international. Setting up shoots and dealing with logistics / schedules.
Watch internal cuts and attend internal and external notes meetings. Watch buzzworthy documentary films and provide timely and thorough coverage. Track and evaluate incoming submissions and attend pitch meetings.
Read content and provide opinions on materials. Schedule meeting requests and manage calendar. Process expense reports in a timely manner.
Develop and implement a comprehensive multi-year development strategy with measurable goals and objectives.
Initiate wire transfers based on wire request forms provided by legal, with all outgoing transactions requiring dual-party authorization. Create a ledger for each loan, tracking principal, origination fees, and premiums.
Perform script analysis/breakdowns for sets, cast, locations, and sequence costs. Cultivate relationships and keep current on Head of Department availabilities for upcoming productions. Develop initial in-house production schedules.
Read and screen materials and provide prompt creative feedback to the team. Manage special projects as designated, specifically related to administrative and coordination.
Assist with project coordination and help manage the development pipeline, ensuring timely and efficient progress. Conduct research and stay current with industry trends, films, and TV shows to support informed decision-making.
Assist with project coordination, ensuring that all tasks and deadlines are met efficiently. Maintain confidential information with the utmost discretion and professionalism.
Work directly with and assist the Production Executive to coordinate all features associated with the Production Executive’s office from strategic planning, and pre-production through the wrap of physical production.
Management of development slate. Oversight of assigned movies in production from greenlight to delivery. Provide creative feedback on movies development and production.
Manage submissions, coordinate responses, and delegate reads internally. Read 15+ scripts per week and watch 5+ directing samples in search of commercial projects and talent to make films and TV series at a variety of levels.
Editing, proofreading, summarizing, and redlining agreements and correspondence. Assist with special projects, research, and compiling information as needed.
Read and watch a high volume of weekly script and film submissions. Write concise coverage analyzing submitted films for consideration of acquisition or talent tracking.
Assisting a small team of Creative Executives, including diary management, scheduling external meetings, expenses and coordinating travel. Tracking development projects, including key submissions and creative updates on projects.
Conduct in-depth research within the News UK archives to unearth material with significant potential for development into series or films.
Scheduling, reading, covering scripts and films, and discovering new writers & directors.
Manage submissions, coordinate responses, and delegate reads internally.
This is a great opportunity for those interested in producing and development.
Oversee dialogue, book talent, direct ADR, liaise with feature sound design team. Oversee and disseminate finishing preps for pictures, graphics, and audio elements. Liaise with TV finishing agency and TV Media agency.
Work directly with and assist the production executive to coordinate all Features associated with the production executive’s office from strategic planning, and pre-production through the wrap of Physical Production.
Duties include heavy phones, scheduling, submission and pitch tracking, IP sourcing and grid maintenance.
Between May 1st and May 31st, we tracked 1 spec script and 1 book rights being taken out. This is a considerable drop from last month as well as compared to the same time last year, when we followed 16 specs going out on the town.
Find, secure & direct talent, arranging productions and delivering video and Digital assets for multiple distribution platforms.
Identifies Alloy Entertainment properties as well as outside material to be adapted, developed, pitched and sold to movie studios.
Create concepts and write-ups for brand partnership and O&O content including scripted and Unscripted Series and Films.
Source and assess screenplays, books, articles, life rights, concepts, sizzles and short form content – as well as other forms of intellectual property – in an effort to help build out and sustain a robust Film pipeline.
Duties include managing schedules, rolling calls, overseeing submissions, and analyzing screenplays/Films/books.
