Family

Manage projects on the Four-quadrant and YA Film and TV slate to shepherd a robust development and production pipeline across the Four-quadrant Family and YA/Young Adult categories.

Work with show creators to build worlds, flesh out characters, develop story engine, and establish design.

Between May 2022 and May 2021, there has been a 15.8% decrease in the material hitting the market. This gap has only continued to grow in past years. Dating at its peak, 2019 saw 33 specs out in a single month. Comparing that to now, that is nearly a 51.5% drop-off. While materials have decreased, the success rates have seen a bit more of a u-shape in the last few years.

Bellevue Productions is out with CRAIGSHAVEN by Nicole Ramberg. A troubled teen must confront a local legend when the reappearance of a missing classmate and a fabled ghost ship…

Bright One Management is out with THE STORY OF MY FAMILY by Steve Race. With her quinceañera approaching, Maria finds herself chronicling her journey while coming to terms with family issues.

AMC is doing about 25-30% more development since the launch of AMC+.

Responsibilities include scheduling, calls, expenses, coordinating the company’s internship program.

We have several projects in all stages of development, so an interest in TV and Film development is definitely encouraged.

The ideal candidate for this position possesses a deep understanding of how a successful Television show is crafted and strong creative instincts for identifying compelling creative opportunities.

This role will work closely with production teams and on each series as well marketing, and Publicity.

Duties include scheduling, rolling calls, phone sheet maintenance, invoicing and tracking payments, reading scripts, etc.

Peacock still exists within the cable department and wants to be writer focused.

For movie lovers. Embraces the unique voice of the storyteller.

African American women (25 to 54) are their main target. 46 years old is key sweet spot for advertisers.

Big, buzzy shows. Popcorn entertainment-forward fare.

They want projects that have elements of children having their own storylines. Pushing for more representative casts for their shows.

Only buying shows that have a real shot of going forward/ have the right auspices.

Only buying shows that have a real shot of going forward/ have the right auspices.

Creatively ambitious, high quality, but different from the content on Amazon Prime.

The guiding principle of the Scripted Programming on NatGeo/Disney + is to deepen people’s understanding if the world and their role in it.

Sweeping family Drama. No Crime, sad or dark family shows.

Case of the week procedural and LGBTQ+ relationship drama.

World building/Fantasy. Horror. Disaster.

Disney + will make shows w/o kids (all adult cast) and still with kids as long as there are meaningful adult entry points.

Update and manage talent’s master schedule inclusive of all items professional and personal.

This position will direct, oversee and manage marketing initiatives in order to grow the listening audience for our expanding slate of GZM shows.

Housefire Management is out with DINAH by Ben Agron & Brandon Feldman. A recently widowed dad finally caves and buys a “teacup dinosaur” for his three kids.

Fourward is out with ONE FOGGY CHRISTMAS EVE by David Kukoff. The moving true story behind the creation of one of the most beloved Christmas characters of all time.

Universal Pictures has picked up UNTITLED ANKELES/JURGENSON ADVENTURE PROJECT by Alex Ankeles & Morgan Jurgenson. Described as a four-quadrant adventure-comedy.

Jim Valdez is out with RAINBOW BRIDGE by Michael K. Snyder. Matt mysteriously enters an afterlife for animals.